{"id":5517,"date":"2021-10-12T18:39:58","date_gmt":"2021-10-12T17:39:58","guid":{"rendered":"https:\/\/trmtx.com\/?p=5517"},"modified":"2021-10-15T21:13:59","modified_gmt":"2021-10-15T20:13:59","slug":"nyangone-be-my-man-premier-jet-officiel","status":"publish","type":"post","link":"https:\/\/trmtx.com\/index.php\/2021\/10\/12\/nyangone-be-my-man-premier-jet-officiel\/","title":{"rendered":"Nyangone: \u00ab\u00a0Be My Man\u00a0\u00bb, premier jet officiel."},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>En lisant\u00a0<em>Nyangone,\u00a0<\/em>nombreux auraient su mal \u00e0 dire qui elle est. On ne saurait leur en vouloir, car la jeune chanteuse gabonaise \u00e9tait jusque &#8211; l\u00e0 connue des milieux undergrounds. Depuis Libreville, sa ville d&rsquo;adoption, elle est parvenu \u00e0 d\u00e9crocher un contrat avec\u00a0<em>XOL Music,\u00a0<\/em>un label ind\u00e9pendant Suisse. C&rsquo;est sous la direction de ce dernier qu&rsquo;elle vient de commettre le single \u00ab\u00a0<\/strong><em><strong>Be My Man\u00a0\u00bb<\/strong>.<\/em><\/p>\n<p style=\"text-align: justify;\">A 27 ans,\u00a0<em>Nyangone\u00a0<\/em>\u00e0 l&rsquo;Etat &#8211; civil\u00a0<em>Orph\u00e9e Nyangone Mba\u00a0<\/em>est une artiste chanteuse et auteur originaire de la ville de Bitam dans le Nord du Gabon. C&rsquo;est tr\u00e8s jeune qu&rsquo;elle commence \u00e0 faire l&rsquo;unanimit\u00e9 aupr\u00e8s des siens pour sa dext\u00e9rit\u00e9 vocale. Un talent qui fut longtemps mis au service de l&rsquo;\u00e9vangile \u00e0 travers les chorales de la Capitale. C&rsquo;est finalement en 2015 que secr\u00e8tement un de ses fr\u00e8res l&rsquo;inscrivit en 2015 au <em>Gabon Talent Show.\u00a0<\/em>Elle fut \u00e9limin\u00e9e en finale.<\/p>\n<p style=\"text-align: justify;\">En 2016, s\u00e9lectionn\u00e9e pour participer \u00e0 l&rsquo;<em>Africa Life,\u00a0<\/em>la candidature de\u00a0<em>Nyangone<\/em>\u00a0fut annul\u00e9e suite aux violents\u00a0 \u00e9v\u00e8nements post- \u00e9lectoraux d&rsquo;ao\u00fbt de la m\u00eame. En 2017, elle fut prim\u00e9e \u00e0 la seconde place du\u00a0<em>Woman Power, <\/em>organis\u00e9e par le label<em> Artifices\u00a0<\/em>de l&rsquo;artiste\u00a0<em>Tina.<\/em> Sa pr\u00e9sence sur l&rsquo;ensemble de ces comp\u00e9titions lui a permis de se faire un peu plus conna\u00eetre du public local et d&rsquo;autres artistes. Derni\u00e8rement, elle a \u00e9t\u00e9 \u00e0 la premi\u00e8re partie du concert du groupe\u00a0<em>D &#8211; Jazz\u00a0<\/em>\u00e0 l&rsquo;<em>Institut Fran\u00e7ais <\/em>de Libreville<em>.<\/em><\/p>\n<p style=\"text-align: justify;\">L&rsquo;enregistrement du premier single officiel de la chanteuse, \u00ab\u00a0<em>Be My Man\u00a0\u00bb\u00a0<\/em>est un cocktail culturel \u00e0 l&rsquo;image du m\u00e9lange anglais et fang (langue gabonaise) que\u00a0<em>Nyangone utilise pour chanter.\u00a0<\/em>Une belle collaboration entre <em>Xplicit Record<\/em> du beatmaker gabonais\u00a0<em>Giskard 16<\/em>, <em>Studio D-AMF<\/em> et <em>XOL Studios<\/em> bas\u00e9s \u00e0 Lausanne en Suisse.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>S\u00e9if Mostley<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En lisant\u00a0Nyangone,\u00a0nombreux auraient su mal \u00e0 dire qui elle est. On ne saurait leur en vouloir, car la jeune chanteuse gabonaise \u00e9tait jusque &#8211; l\u00e0 connue des milieux undergrounds. Depuis Libreville, sa ville d&rsquo;adoption, elle est parvenu \u00e0 d\u00e9crocher un contrat avec\u00a0XOL Music,\u00a0un label ind\u00e9pendant Suisse. C&rsquo;est sous la direction de ce dernier qu&rsquo;elle vient [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5518,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[31],"tags":[750,749,45,743,748,35,744,745,746],"class_list":["post-5517","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1st-time","tag-giskard-16","tag-lausanne","tag-libreville","tag-nyangone","tag-studio-d-amf","tag-une","tag-xol-music","tag-xol-studios","tag-xplicit-record"],"_links":{"self":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts\/5517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/comments?post=5517"}],"version-history":[{"count":2,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts\/5517\/revisions"}],"predecessor-version":[{"id":5520,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts\/5517\/revisions\/5520"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/media\/5518"}],"wp:attachment":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/media?parent=5517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/categories?post=5517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/tags?post=5517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}