{"id":3852,"date":"2019-12-30T14:12:35","date_gmt":"2019-12-30T13:12:35","guid":{"rendered":"https:\/\/trmtx.com\/?p=3852"},"modified":"2019-12-30T23:50:13","modified_gmt":"2019-12-30T22:50:13","slug":"toxic-fair-play-lhymne-de-la-fete","status":"publish","type":"post","link":"https:\/\/trmtx.com\/index.php\/2019\/12\/30\/toxic-fair-play-lhymne-de-la-fete\/","title":{"rendered":"Toxic: \u00ab\u00a0Fair Play\u00a0\u00bb, l&rsquo;hymne de la f\u00eate!"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Le mois de d\u00e9cembre 2019 se cl\u00f4ture avec une note de satisfaction au regard des multiples productions mises sur le march\u00e9 par les artistes. C&rsquo;est le cas du single \u00ab\u00a0Fair Play\u00a0\u00bb de Toxic, qui vient d&rsquo;\u00eatre mis \u00e0 la disposition du public.\u00a0<\/strong><\/p>\n<p style=\"text-align: justify;\">Originaire de la Capitale \u00e9conomique, Port &#8211; Gentil (POG), Toxic a r\u00e9cemment pr\u00e9sent\u00e9 le clip du titre \u00ab\u00a0Fair Play\u00a0\u00bb produit par Bad Mask Music. En 2018, il proposait sa premi\u00e8re production \u00ab\u00a0Work Money Easy\u00a0\u00bb. Il faut croire qu&rsquo;il \u00e9tait \u00e0 son premier essai.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/trmtx.com\/wp-content\/uploads\/2019\/12\/WhatsApp-Image-2019-12-26-at-11.22.42.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3853 alignright\" src=\"https:\/\/trmtx.com\/wp-content\/uploads\/2019\/12\/WhatsApp-Image-2019-12-26-at-11.22.42-300x300.jpeg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/trmtx.com\/wp-content\/uploads\/2019\/12\/WhatsApp-Image-2019-12-26-at-11.22.42-300x300.jpeg 300w, https:\/\/trmtx.com\/wp-content\/uploads\/2019\/12\/WhatsApp-Image-2019-12-26-at-11.22.42-150x150.jpeg 150w, https:\/\/trmtx.com\/wp-content\/uploads\/2019\/12\/WhatsApp-Image-2019-12-26-at-11.22.42-80x80.jpeg 80w, https:\/\/trmtx.com\/wp-content\/uploads\/2019\/12\/WhatsApp-Image-2019-12-26-at-11.22.42.jpeg 720w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>En effet, <em>Steeven Ivora Mouloungui<\/em>, connu sous le pseudo Toxic,\u00a0 est un transfuge de la danse. De 2000 \u00e0 2017, il a \u00e9t\u00e9 membre de plusieurs \u00e9curies de danse \u00e0 POG et Libreville (LBV). En 2000, il int\u00e8gre le <em>B13<\/em> puis <em>10 Back Danse<\/em>, des grands groupes de danse de la sc\u00e8ne porgentillaise. En 2009, pour des raisons d&rsquo;\u00e9tudes, il descend \u00e0 la Capitale. Il n&rsquo;abandonnera pas sa passion et int\u00e8gre tour \u00e0 tour les crews <em>Proph\u00e9tie Krump, 6KTrice Building<\/em> et <em>Parano\u00efaque Crew<\/em> avant de cr\u00e9er son \u00e9curie <em>Djonzz Dimension<\/em>.<\/p>\n<p style=\"text-align: justify;\">Comme certains avant lui, Toxic a d\u00e9cid\u00e9 de passer de la danse \u00e0 la chanson en 2017. Une exp\u00e9rience, qui pour le moment,\u00a0s&rsquo;\u00e9crit avec l&rsquo;objectif de pour se construire une v\u00e9ritable identit\u00e9 et s&rsquo;imposer. Le jeune artiste a une v\u00e9ritable chance de se hisser au sommet. Danseur \u00e9clectique, il est \u00e9galement divers dans sa musique. Il est fait aussi bien de la <em>Trap<\/em>, l&rsquo;<em>Afro &#8211; Trap<\/em> que\u00a0 du <em>RnB<\/em>.<\/p>\n<p style=\"text-align: justify;\">Le clip a \u00e9t\u00e9 r\u00e9alis\u00e9 par <em>Jessy Mihindou<\/em> et la production musicale est de\u00a0de\u00a0<em>Dasky Boy<\/em>. Les mix et mastering sont de <em>Shine Baby<\/em>.<\/p>\n<p style=\"text-align: justify;\">Pour Tromatix, S\u00e9if Mostley<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le mois de d\u00e9cembre 2019 se cl\u00f4ture avec une note de satisfaction au regard des multiples productions mises sur le march\u00e9 par les artistes. C&rsquo;est le cas du single \u00ab\u00a0Fair Play\u00a0\u00bb de Toxic, qui vient d&rsquo;\u00eatre mis \u00e0 la disposition du public.\u00a0 Originaire de la Capitale \u00e9conomique, Port &#8211; Gentil (POG), Toxic a r\u00e9cemment pr\u00e9sent\u00e9 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3855,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[31],"tags":[35],"class_list":["post-3852","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-1st-time","tag-une","post_format-post-format-video"],"_links":{"self":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts\/3852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/comments?post=3852"}],"version-history":[{"count":2,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts\/3852\/revisions"}],"predecessor-version":[{"id":3870,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts\/3852\/revisions\/3870"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/media\/3855"}],"wp:attachment":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/media?parent=3852"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/categories?post=3852"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/tags?post=3852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}