{"id":3633,"date":"2019-11-25T23:29:42","date_gmt":"2019-11-25T22:29:42","guid":{"rendered":"https:\/\/trmtx.com\/?p=3633"},"modified":"2019-12-23T10:15:31","modified_gmt":"2019-12-23T09:15:31","slug":"shanl-meilleure-artiste-feminin-dafrique-centrale","status":"publish","type":"post","link":"https:\/\/trmtx.com\/index.php\/2019\/11\/25\/shanl-meilleure-artiste-feminin-dafrique-centrale\/","title":{"rendered":"Shan&rsquo;L, meilleure artiste f\u00e9minin d&rsquo;Afrique Centrale!"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>La 15 novembre dernier, la chanteuse gabonaise Shan&rsquo;l gratifiait d&rsquo;un nouveau single \u00ab\u00a0Yayayobe\u00a0\u00bb et ne pouvait s&rsquo;imaginer qu&rsquo;elle allait \u00eatre sacr\u00e9e Meilleure Artiste F\u00e9minin d&rsquo;Afrique Centrale de l&rsquo;ann\u00e9e aux Afrima 2019 \u00e0 Lagos au Nig\u00e9ria.\u00a0<a href=\"https:\/\/trmtx.com\/wp-content\/uploads\/2019\/11\/Afrima.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3634 alignright\" src=\"https:\/\/trmtx.com\/wp-content\/uploads\/2019\/11\/Afrima-293x300.jpg\" alt=\"\" width=\"293\" height=\"300\" srcset=\"https:\/\/trmtx.com\/wp-content\/uploads\/2019\/11\/Afrima-293x300.jpg 293w, https:\/\/trmtx.com\/wp-content\/uploads\/2019\/11\/Afrima-360x368.jpg 360w, https:\/\/trmtx.com\/wp-content\/uploads\/2019\/11\/Afrima-60x60.jpg 60w, https:\/\/trmtx.com\/wp-content\/uploads\/2019\/11\/Afrima.jpg 490w\" sizes=\"auto, (max-width: 293px) 100vw, 293px\" \/><\/a><\/strong><\/p>\n<p style=\"text-align: justify;\">La nuit du 23 novembre 2019 restera grav\u00e9e dans l&rsquo;histoire de la carri\u00e8re de l&rsquo;artiste. Une\u00a0premi\u00e8re r\u00e9compense continentale qui vient renforcer sa signature r\u00e9cente chez Sony Music Africa. Chanteuse \u00e0 succ\u00e8s, Shan&rsquo;l \u00e9tait oppos\u00e9e \u00e0 d&rsquo;autres chanteuses de renom \u00e0 l&rsquo;exemple des Camerounaises Blanche Bailly et Charlotte Dipanda.<\/p>\n<p style=\"text-align: justify;\">Nomin\u00e9e pour le single \u00ab\u00a0<i>c\u2019est pas les gb\u00e9s gb\u00e9s gb\u00e9s<\/i>\u00a0\u00bb sorti le 18 mars dernier, Shan\u2019l est parvenue \u00e0 se hisser au haut du tableau face \u00e0 sept autres chanteuses originaires du Cameroun: Charlotte Dipanda, Daphne et Blanche Bailly, et de l\u2019Angola: Bruna Tatiana, Anna Joyce, Duda et Titica. Au bout de la nuit, la Gabonaise a \u00e9t\u00e9 prim\u00e9e par le jury.<\/p>\n<p style=\"text-align: justify;\">Absente de la soir\u00e9e, Shan&rsquo;l a remerci\u00e9 ses fans et ses diff\u00e9rents soutiens en postant son troph\u00e9e sur son compte facebook officiel. Une belle victoire pour la musique gabonaise. Notamment, \u00e0 l&rsquo;occasion de cette sixi\u00e8me \u00e9dition des Afrima en partenariat avec l&rsquo;Union Africaine.<\/p>\n<p style=\"text-align: justify;\">S\u00e9if Mostley.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La 15 novembre dernier, la chanteuse gabonaise Shan&rsquo;l gratifiait d&rsquo;un nouveau single \u00ab\u00a0Yayayobe\u00a0\u00bb et ne pouvait s&rsquo;imaginer qu&rsquo;elle allait \u00eatre sacr\u00e9e Meilleure Artiste F\u00e9minin d&rsquo;Afrique Centrale de l&rsquo;ann\u00e9e aux Afrima 2019 \u00e0 Lagos au Nig\u00e9ria.\u00a0 La nuit du 23 novembre 2019 restera grav\u00e9e dans l&rsquo;histoire de la carri\u00e8re de l&rsquo;artiste. Une\u00a0premi\u00e8re r\u00e9compense continentale qui vient [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3775,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[30],"tags":[35],"class_list":["post-3633","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-une"],"_links":{"self":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts\/3633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/comments?post=3633"}],"version-history":[{"count":6,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts\/3633\/revisions"}],"predecessor-version":[{"id":3777,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/posts\/3633\/revisions\/3777"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/media\/3775"}],"wp:attachment":[{"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/media?parent=3633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/categories?post=3633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/trmtx.com\/index.php\/wp-json\/wp\/v2\/tags?post=3633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}